What
are your favourite book(s)?
I
read widely, partly because I'm in a local book club. I'm the only
guy, so my choice is always outvoted! I really couldn't pick a single
favourite, so I'll say the most recent book that I thoroughly
enjoyed, Restless, by William Boyd.
Who
is your favourite author?
I
read everything by Ben Elton, but that's because I like the subject
matter and you can get through a book of his in a weekend, which is
probably how long he took to write it. At the airport I'd most likely
grab a book by John Grisham and be sure I'd like it, but never read
it again. Tom Wolfe is not everyone's favourite but I would seek out
a book by him; Bonfire of the Vanities is probably a book I'd read
again.
Where
do you get your inspiration?
Inspiration
is all around, you just need to recognise it when it comes your way.
I can't understand writers who have methodologies for generating
ideas. If I wake up remembering a dream I may write it down before I
forget it. Apart from that I write about, or draw on, things I know,
people I've met, jobs I’ve held, places I've been, experiences I’ve
had. I've never felt the need to research a book, too many stories
waiting to be told but, having said that, I have an idea my heroine
in When the Siren Calls - Isobel - is going to find herself in some
tricky situations in India in book three of the trilogy. I have spent
little time in India, so I may make researching the story an excuse
for a holiday.
Where
is your favourite place to do your writing?
In
my study at home. I like to be alone with no distractions and sit at
a desk, like it's a proper job. A lot of writing is really work; it's
revising, editing, polishing. I can't do that in a hammock on a beach
or down in Starbucks, and I wonder about the motivations of people
who do. Having said that, I did a big chunk of the creative writing
for When the Siren Calls in Thailand, so I better not be too
prescriptive for any budding writer reading this.
What
made you decide to write a book with a love triangle?
I
never did, it just happened. I sit down with an idea and with one or
two central characters in mind, and then I let the characters drive
the story. I don't believe in plotting in detail, or in beginning
with the end in mind. That's writing by numbers as far as I'm
concerned. In the original version of When the Siren Calls the love
triangle was not central. But when I've finished a book I go back and
ask myself how can I raise the stakes, create more conflict, give the
heroine a bigger moral dilemma. So the love triangle really emerged
as I tried to create more danger for Isobel, not just because of the
threat that Lucy poses, but because through Lucy we see the dark side
of Jay's character that Isobel is unaware of. And that all
fitted well with a story that is about adult relationships. My
readers are really interested in characters, what motivates them and
what happens to them, and the love triangle enriches that aspect of
the story. Plus it allowed for some even more highly charged bedroom
scenes… but that never figured in my thinking!
What
was the hardest part of writing your novel?
Cutting
out favourite scenes. The first manuscript, after editing, was
a huge 200,000 words; three times the size of most commercial novels
today. But the length itself was not the real problem, it was
recognising those sub-plots that were not central to the story, that
were a sideshow or slowed pace and reduced tension. Cutting out the
turgid stuff is painless, but cutting a hot bedroom scene is not a
natural act, for me at least. I had some real battles with my editor.
Some I won, some I lost, but I think we mostly made the right
decisions about what to leave out.
Tell
us about your new novel.
My
original plan was to write a business book that distilled down
everything I’d learnt about selling over 20 years in the corporate
world. But when the opportunity came, I decided that, if I were to be
a writer, I'd rather entertain my readers than lecture them! Much
more fascinating, it seemed to me, to embody everything I knew about
persuasion in a fictional character, in a master persuader.
Isobel
is quintessentially English: a modern day Lady Chatterley. When she
meets Jay, she imagines a life of excitement outside her stagnant
marriage, free of her workaholic husband. When
the Siren Calls tells
what happens next.
When the Siren Calls: a story of seduction, deception and betrayal...
When restless and neglected Isobel is invited to an idyllic Tuscan retreat owned by the enigmatic Jay, she imagines a life of excitement outside her stagnant marriage. She abandons herself in a passionate affair, but is soon trapped in a web of deception and betrayal as her desperate lover fights for survival. Hopelessly bound under Jay’s spell, Isobel must discover if her lover is her saviour, or her nemesis.
About the Author.
Tom
Barry is uniquely placed to throw fresh light on the world of
Britain’s rich and famous. After 20 years working amongst city of
London ‘fat-cats,’ and two heart attacks, he retreated to
suburbia to live in a celebrity bubble alongside footballers, rock
stars and screen idols. If infidelity is as ubiquitous amongst the
rich and famous as Barry suggests, then his debut novel will win him
few friends amongst his illustrious neighbours. You can follow Tom on
Twitter @tombarry100 and visit his highly opinionated blog at
http://tombarrywrites.com.
Thanks for sharing news about When The Siren Calls before it's even been officially published Natasha! It sounds like a really good read and I'm a bit obsessed with romantic thrillers and adult fiction after reading 50 Shades!
ReplyDeleteI hope you will read it and enjoy it! Look out for a review and a giveaway of this book sometime in the next month or so.
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